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In terms of her influence on the development of blues, she was an important player in the Chicago clubs during the ’40s when musicians like Muddy Waters, Jimmy Rodgers and Johnny Shines, were coming up. Listen to your favorite songs from Memphis Minnie. Record companies are remarkably mono-thematic about marketing, and Minnie, like many other blues musicians, played jazz and swing tunes as well, although there are only hints of this in her 200 recorded sides. Her singing and songwriting, spirited demeanor, and superlative guitar playing propelled her to the upper echelons of a field then dominated by male guitarists and pianists. There are also additional hints as to positions, and links to sound recordings on the Playing Memphis Minnie page.   The wretchedness of hitting the fields at dawn led some to try life with “the starvation box”, as Roosevelt Sykes called the guitar. She recorded around 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and " Me and My Chauffeur Blues ". Their marriage and musical partnership fell apart in the mid-thirties, around the same time Minnie became increasingly featured as a guitarist, vocalist and songwriter. Memphis Minnie recorded over 100 songs, most of which she had written herself. loud) sound.   Musically there were three basic phases to her style: the duet years with Kansas Joe, the “Melrose” band sound of the late thirties and early forties, and her later electric playing. Memphis Minnie Songs Download- Listen to Memphis Minnie songs MP3 free online. Memphis Minnie. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Perhaps it’s because Memphis Minnie doesn’t fit the myth of the young, tragic, haunted blues man and she is too complex of a character to be easily marketed. Lizzie Douglas (June 3, 1897 – August 6, 1973), known as Memphis Minnie, was a blues guitarist, vocalist, and songwriter whose recording career lasted for over three decades.She recorded around 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and … Her recordings were reissued by Chris Strachwitz on Blues Classics in the late sixties, and had a profound influence on several young musicians, particularly the late guitarist JoAnn Kelly, and Maria Muldaur who still sings Minnie’s songs today. Her recordings with Son Joe are in duet style, with piano, bass or drums added on some sessions. This is the complete list of songs recorded by Memphis Minnie, in alphabetical order. Sources not cited in the text are from record labels and personal conversations with musicians. Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie: Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie - Joe Louis Strut / He's In The Ring (Doing That Same Old Thing) ‎ (Shellac, 10") Vocalion (2) 03046: US: 1935: Sell This Version The composer credits for When The Levee Breaks – the closing track on Led Zeppelin’s multi-platinum fourth album (the rune-y one with Stairway To Heaven on) – read, ‘Jimmy Page, Robert Plant, John Paul Jones, John Bonham & Memphis Minnie’. Memphis Minnie (June 3, 1897 – August 6, 1973) was an American blues guitarist, vocalist, and songwr Tracking down the ultimate woman blues guitar hero is problematic because woman blues singers seldom recorded as guitar players and woman guitar players (such as Rosetta Tharpe and Sister O.M. More than a good woman blues guitarist and singer, Memphis Minnie holds her own against the best blues artists of her time, and her work has special resonance for today's aspiring guitarists. She also played for dances and store promotions. ... (101 songs) Salt & Pepper 19-03-2015 Prison Bound Blues (Blues People - 1923 - 1930) 01. The major labels pulled out of the blues market, and Minnie’s last recordings were for Regal in 1949. Memphis Minnie song lyrics collection. 5 collection on Apple Music and Spotify to hear her complete works from 1940-1941. Minnie was quick to embrace the latest technologies in order to be heard above the crowds She was one of the first blues players to use a National in 1929, and to play an electric wood body National and various electric guitars in the ’40s and ’50s. Here’s links to a few of my favorite MM tunes. She was known to spit mid-song without losing a beat. She grew up in Walls Mississippi, about 20 miles from Memphis on Route 61, in a time before rural electrification and national media created a mass culture. Memphis Minnie & Kansas Joe McCoy:You Got To Move, Part 1 Memphis Minnie & Kansas Joe McCoy:You Got To Move, Part 2 Memphis Minnie & Kansas Joe:Hole In The Wall Minnie toured a great deal in the ’30s, mostly in the south. Minnie worked the streets and parks with Jed Davenport’s Beale Street Jug Band, and her guitar playing was influenced by the popular jug band musician Frank Stokes, who’s guitar duets with Dan Sane are very similar to Minnie’s early style. Music (like most things) was still homemade: for entertainment, people threw parties–suppers where roast shoat, custard pies and candy sticks dipped in corn whiskey got worked off dancing the “shoofly”, the “scratch” and the “shimmy-she-wobble.” Minnie started playing banjo when she was seven years old, and was influenced by the string bands which played for dancers who partied all night and hit the fields at dawn. Clearly she had by that time embraced the next phase of the blues. Songs of Minnie's such as 'When the Levee Breaks' and 'Can I Do It for You?' ~ Barry Lee Pearson. Browse 50 lyrics and 412 Memphis Minnie albums. Minnie and Joe began a steady series of recording dates in New York, and Memphis, first for Columbia, later for Vocalion, Decca, Okeh and Bluebird. Complete song listing of Memphis Minnie on OLDIES.com. She also proved to have as good taste in musical husbands as music and sustained working marriages with guitarists Casey Bill Weldon, Joe McCoy, and Ernest Lawlars.   The commercial success of Mamie Smith’s “Crazy Blues” in 1920, alerted record companies to the existence of black record buyers. Her guitar playing embodies the best of blues: it takes a simple form and makes each iteration fresh and inventive. The official job prospects for black women were limited to domestic service and farm work both of which demanded grueling labor and subservience for low pay. Primarily an urban, piano based music, it was perfect for the speciously prosperous “Jazz Age” atmosphere of the twenties, during which the music of Black Americans became increasingly influential to the mainstream. 03:07 Composers: M. McCoy. As the realities of boom and bust economics became universal after the stock market crash of 1929, record companies began to seek out rural, guitar based music. He's In the Ring (Doin' the Same Old Thing) Memphis Minnie. Unlimited free Memphis Minnie music - Click to play My Gage Is Going Up, Can't Afford To Lose My Man and whatever else you want! Born in Algiers, LA, in 1897, Lizzie Douglas forged a reputation as Memphis Minnie during … Listen to the Memphis Minnie Vol. Joe Louis Strut . Theatrical, glamorous blues queens dominated the first decade of recorded blues. Brown provided the solid rhythm and bass lines she seemed to require from all her men. She was always a finger picker, and played in Spanish (DGDGBD) and standard tunings, often using a capo. She got her first guitar at age ten or 11. In 1957 Minnie had an incapacitating heart attack, and Son Joe became too ill to perform. Excluding contemporary artists, the most notable exception to this pattern was Memphis Minnie. MEMPHIS MINNIE & KANSAS JOE. He standardized the sound of his blues offerings, using musicians like Tampa Red, Big Bill Broonzy and Thomas Dorsey to back up different artists. A 1953 stomper about STD's. Associating with circus and vaudeville performers must have been a step up for a street musician, and probably helped Minnie make her music more of an act. Although Memphis Minnie is gone, her music is still full of life, and her influence can be heard in the music of the many Chicago blues players who came up during her reign in the thirties and forties. Memphis Minnie's last commercial release, and a good one. They returned to Memphis where Minnie’s sister Daisy took care of them. Minnie, presided over Blue Monday parties at Ruby Lee Gatewood’s Tavern playing an electrified National arch top in front of a band that included bass and drums. Minnie used the name both publicly and privately, although her family still called her Kid. As a working musician, Minnie’s guitar style evolved partly in response to the kind of places she played and the people for whom she played. Memphis Minnie (known to her family as “Kid”) was born June 3, 1897, in Algiers Louisiana, the oldest of 13 brothers and sisters. It is difficult to tell whether audiences demanded different music, or if they bought what was promoted and available. Paul and Beth Garon include a fascinating photo of Minnie’s set list in “Woman with Guitar”, that includes songs like “Marie”, “Woody Woodpecker”, Lady Be Good”, “I Love You For Sentimental Reasons” and “How High The Moon.”  Son Joe and Minnie played until their health broke down. Related Topics: Big Bill Bronzy Blues Jefferson Airplane Memphis Minnie On This Day Songs Sort by: Bestselling. It’s hard to imagine how prevalent live music was before the advent of consumer electronics. Memphis Minnie is widely acknowledged as one of the greatest artists in the Blues world and this collection highlights why. Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana. As Broonzy tells the story, in his autobiography Big Bill Blues, (Cassell and Co.London 1956) a jury of fellow musicians awarded Minnie the prize of a bottle of whiskey and a bottle of gin for her performance of “Chauffeur Blues” and “Looking the World Over”. The forties treated Minnie and Son Joe well and they performed both together and separately depending on finances, (they could make more money playing separate gigs). Memphis Minnie (Image credit: Getty). 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